This movie I think it is teimpo of worship in the mid to late 80's this film is part of several directors japonesesy yesterday I got to see it to comment today.
The shorts come in a variety of styles. Only two short films ("Presence" and "A Tale of Two Robots") contain dialogue.
Opening: Directed by Atsuko Fukushima and Katsuhiro Otomo. The opening takes place in a desert. A child is a little "too soon" poster advertising the Robot Carnival, and frightened and agitated. It warns people of their village, most likely to escape when a huge machine with many robots acting in niches on the outside properly grind on people. Once a remarkable journey, is now a decaying, rusted, malfunction, the engine of destruction. Gears
Franken: Directed by Koji Morimoto. A mad scientist tries to give life to your robot with a thunderbolt, like Frankenstein. When it comes to life, all that the robot back to the scientist does. Overjoyed, scientific dances with joy, trips and falls. Seeing this, the robot dances, trips and falls on the scientist, killing him. Deprived
Directed by Hidetoshi Omori. This segment features a humanoid robot and an invasion from space. The robot humanoid was obviously inspired 8 Man.
Presence: Directed by Yasuomi Umetsu. This segment (with dialogue) tells the story of a man who has an obsession with a robot girl who has been secretly building in an attempt to compensate for the lack of close relationship with his wife and family. The value seems to be British and the twentieth century, but also suggests another planet or a future that has tried to re-establish a former social structure. When the robot takes on a personality of its own, far beyond what man had set, he hits a panic attack and out of his secret laboratory for what he believes is the last time. Twenty years later, the man has a vision of his robot appearing before him, but then fly before it can have on hand. Back to the shed to find the robot still sitting smashed in a corner, as he had left years ago. Another twenty years elapse, and the robot appears again before the man. This time, he takes her hand and walks away with it, before disappearing in front of his wife in shock. This is the first film that contains dialogue intelligible (opening characters speak in jargon), but little of the truth is spoken on screen - all but a few lines are given in voice-over, or the speaker's face darkened. Yasuomi art style, and use in future work as Kite is obviously shown in this work. The artistic style of the main character is taken from Les Maîtres du temps.
Star Light Angel: Directed by Hiroyuki Kitazume. Shojo story with adolescent girls in a robot theme park that you are friends. One girl believes that her lover (who looks suspiciously like Char Aznable) is dating her friend. Fleeing tears found their way to a virtual reality tour. In the context in which flashes to summon more robots, one can see two signs of Yula and Jad Les Maîtres du temps quickly warp a three dimensional view and then exit stage left. Pleasant at first, your memory because the trip to summon a giant laser fuse breathing. But one of the "robots in the park" is in the role of knight in shining armor, allowing you to put aside their darker emotions, and to advance their lives. While at first confusing, this is misleading because many of the elements are logical post. The visual style of this sector has been strongly influenced by the music video A-Ha "Take on Me." [1] This short film is also notable for the numerous cameo appearances by characters from history anime Kitazume previously worked as well as fellow contributor Robot Carnival Katsuhiro Otomo Akira Tetsuo Shima &. The music you hear is the theme of Final Fantasy.
Cloud: Directed by Mao Lamda. This short features a walking robot through time and the evolution of man. The background is animated with clouds representing various events in the universe. As the modernization of man, man's self. Most events in the background is carried out from Rome to present day society. Finally, the same angel who weeps for his immortality, which makes him human at the end. The main character is a prodigy (reminiscent of the Mighty Atom)
A Tale of Two Robots - Chapter 3: Foreign Invasion: Directed by Hiroyuki Kitakubo. This is set in the nineteenth century and features two "giant robots" directed from within by a human crew. In the style of a film series was sound, western giant robot attempts to take over Japan, but faces premises of a machine "made for the parade" - a Japanese giant robot . The style of this segment is somewhat remember a Japanese film of World War II propaganda. Despite the title of this segment, there is no known prequel or sequel. The voice acting in this piece are a mixture of English and Japanese with English-speaking Western and Japanese speaking their language. History obviously takes place during the period, the Dutch trade in Japan. However, the period is over dividing the land exadurated foreigners and Japanese. A stranger can be seen with a movie camera at the beginning, so that the segment to take place during the late 1800's.
Nightmare (aka Chicken Man and Red Neck in Tokyo): Directed by Takashi Nakamura. The city of Tokyo is overrun by their machines, since they all come to life for a night out, with only one witness, humans drunk (Chicken Man) awakens to it.
This segment is inspired by the "Night on Bald Mountain" segment of Fantasia, and also said to be influenced by the legend of Sleepy Hollow segment with The Adventures of Ichabod and Mr. Toad.
This has the recent Japanese myth that machines can grow by connecting to other machines, regardless of the purpose for which they were designed (as shown in Roujin Z).
The "Chicken" man of character is regarded by some as a caricature of the famous anime director Rintaro.
Ending: Directed by Atsuko Fukushima and Katsuhiro Otomo. Robot Carnival is held by a small hill in the desert. Unable to upload to the obstruction of sand, the carnival brought to their base. As the sun sets over the relic travel photos remind flashback Carnival greatness at the top of its existence, a motor unprecedented joy that brought lasting joy to the various cities he visited. At dawn, we see the platform chug forward with a sudden burst of energy and on the crest of the dune on his way. The final push proved too much for the gossip age, and finally to shatter in the desert. Most of the credits of the film follows, concluding with an epilogue.
Epilogue: Centuries later, a man discovers an orb between the remains and returns to his family. It is a music box with a miniature robot dancer. As the dances, the children applauded. The dancer ends her dance with a jump in the air and explodes, blowing up the hut where the family lived, leaving "END" in big letters lie that his place as the only survivor, called the pet of the family, struggling to regain form .